Project Publications

Barna, Emília. 2020. ‘IASPM Hungary: Developments and New Directions in Popular Music Research’. In: IASPM Journal 10 (1): 5. https://doi.org/10.5429/2079-3871.

Barna, Emília. 2021. ‘Managing the Eastern European Position in the Digital Era: Music Industry Showcase Events and Popular Music Export in Hungary’. In: Eastern European Music Industries and Policies after the Fall of Communism: From State Control to Free Market, by Patryk Galuszka, 15. Routledge Russian and East European Music and Culture. Abingdon and New York: Routledge. https://www.routledge.com/Eastern-European-Music-Industries-and-Policies-after-the-Fall-of-Communism/Galuszka/p/book/9780367222390.

Barna, Emília, Kristof Nagy, and Marton Szarvas. 2021. ‘COVID-19 Crisis in Hungarian Cultural Production – Vulnerability and Deepening Authoritarian Control’. In: LeftEast, 12 February 2021. https://www.criticatac.ro/lefteast/covid-19-crisis-in-hungarian-cultural-production-vulnerability-authoritarian-control/.

Barna, Emília, and Ágnes Patakfalvi-Czirják. Forthcoming (2022). ‘A populáris zene szerepe a populista diskurzusok terjedésében a 2010 utáni Magyarországon [The role of the spreading of populist discourses in Hungary after 2010]’. In: Fordulat30.

Caiani, Manuela. 2020a. ‘How to measure populism’. In: Polis 2020 (1): 151–64. https://doi.org/10.1424/96444.

Caiani, Manuela. 2020b. ‘The Populist Parties and Their Electoral Success: Different Causes behind Different Populisms? The Case of the Five-Star Movement and the League’. In: Contemporary Italian Politics 11 (3): 236–50. https://doi.org/10.1080/23248823.2019.1647681.

Caiani, Manuela. 2021. ‘Between Real and Virtual: Strategies of Mobilisation of the Radical Right in Eastern Europe’. In: East European Politicshttps://doi.org/10.1080/21599165.2021.1955676.

Caiani, Manuela., Benedetta Carlotti, and Enrico Padoan. 2021. ‘Online Hate Speech and the Radical Right in Times of Pandemic’. In: Javnost – The Public 28 (2): 202–218. https://doi.org/10.1080/13183222.2021.1922191.

Caiani, Manuela, and Michelle Falkenbach. 2021. ‘Italy’s Response to COVID-19’. In: Coronavirus Politics: The Comparative Politics and Policy of COVID-19, 1st ed. Ann Arbor: University of Michigan Press. https://www.press.umich.edu/11927713/coronavirus_politics.

Caiani, Manuela, and Paolo Graziano. 2019. ‘Understanding Varieties of Populism in Times of Crises’. In: West European Politics 42 (6): 1141–1158, https://doi.org/10.1080/01402382.2019.1598062. (Published also as edited book for Routledge 2021: https://www.routledge.com/Varieties-of-Populism-in-Europe-in-Times-of-Crises/Caiani-Graziano/p/book/9780367743444).

Caiani, Manuela, and Enrico Padoan. 2020a. ‘Populism and the (Italian) Crisis: The Voters and the Context’. In: Politics 41 (3): 334–350. https://doi.org/10.1177/0263395720952627.

Caiani, Manuela, and Enrico Padoan. 2020b. ‘Setting the Scene: Filling the Gaps in Populism Studies’. In: Partecipazione e Conflitto 13 (1): 1–28. https://doi.org/10.1285/i20356609v13i1p01.

Caiani, Manuela, Enrico Padoan, and Bruno Marino. 2021. ‘Candidate Selection, Personalization, and Different Logics of Centralization in New Southern European Populism’. In: Government and Opposition, 1–24.

Caiani, Manuela, and Pàl Susánszky. 2020. ‘Radical-Right Political Activism on the Web and the Challenge for European Democracy: A Perspective from Eastern and Central Europe’. In: Democracy and Fake News Information Manipulation and Post-Truth Politics, 1st ed., 173–87. Politics, Media and Political Communication. Abingdon: Routledge. https://www.routledge.com/Democracy-and-Fake-News-Information-Manipulation-and-Post-Truth-Politics/Giusti-Piras/p/book/9780367479541.

Doehring, André, and Kai Ginkel. Forthcoming (2022). ‘Musik Macht Körper: Zum Volkstümlichen Schlager als Ermöglicher populistischer Körperpolitiken’. to be submitted.

Dunkel, Mario. 2020. ‘Zusammenhänge zwischen Populismus, Jazz und afrodiasporischen Musiken als Ausgangspunkt für Demokratiebildung’. In: Positionen! Jazz und Politik, edited by Wolfram Knauer, 79–100. Hofheim: Wolke-Verlag.

Dunkel, Mario. 2021a. ‘„Dorfkind und stolz darauf”: Populismus in Musikkulturen als musikpädagogisches Handlungsfeld’. In: Die Tonkunst 15 (2): 148–57.

Dunkel, Mario. Forthcoming (2021). ‘Populismus und autoritärer Nationalismus in Europäischen Musikkulturen als musikpädagogische Herausforderung’. In: Zeitschrift für Kritische Musikpädagogik.

Dunkel, Mario, and Tonio Oeftering, eds. Forthcoming (2022). Politische Musik als Handlungsfeld politischer und musikalischer Bildung. Münster: Waxmann.

Dunkel, Mario, and Melanie Schiller. eds. Forthcoming (2022). Special Issue of Popular Music on ‘Popular Music and Populism’. Popular Music 41 (4). Cambridge: Cambridge University Press.

Dunkel, Mario, and Melanie Schiller. Forthcoming (2022). ‘Popular Music and Populism: An Introduction’. In: Popular Music 41 (4).

Dunkel, Mario, Melanie Schiller, and Anna Schwenck. 2021. ‘Researching Popular Music and the Rise of Populism in Europe’. In: IASPM XX Proceedings, edited by Kimi Käki, 31–34. International Institute for Popular Culture Publication Series. Turku: n/a.

Dunkel, Mario, and Anna Schwenck. Forthcoming (2021). ‘Autoritäre Männlichkeit als (musik-)pädagogische Herausforderung: Eine qualitative Studie zur Kollegah-Rezeption’. In: HipHop in Deutschland: Medialität, Tradierung, Gesellschaftskritik und Bildungsaspekte einer (Jugend-)Kultur, edited by Michael Rappe and Thomas Wilke. Berlin: Springer VS.

Ginkel, Kai, Anna Schwenck, Melanie Schiller, André Doehring, and Mario Dunkel. 2021. ‘Populäre Musik als nationalistische Ressource? Vergleichende Schlaglichter auf AfD, FPÖ und die Schwedendemokraten (SD)’. In: „Pop the Nation!“. Das Nationale als Ressource und Argument in Kulturen populärer Unterhaltung und Vergnügung, edited by Manuel Trummer and Marketa Spiritova, 6:n/a. Kulturen Populärer Unterhaltung Und Vergnügung. Münster: Waxmann.

Godioli, Alberto, Miklós Kiss, and Melanie Schiller. Forthcoming (2022). ‘Schrödinger’s Duck-Rabbit: Ambiguity and Meta-Framing across Media’. In Narrative Values and Values of Narrative, edited by Barend van Heusden and Sjoerd-Jeroen Moenandar. Berlin: De Gruyter.

Kopanski, Reinhard. Forthcoming (2021). ‘Voicing Outrage? Ignoring the Matter? Explaining the Problem! – A Model of Analysis for Engaging with Aesthetic References to National Socialism during Times of Emerging Right-wing Populism Using the Example of Rammstein’s Deutschland’. In: Zeitschrift für Kritische Musikpädagogik.

Kopanski, Reinhard. 2021. ‘Wir rufen Deine Wölfe – Der Reiz des Neofolk für die extreme Rechte’. In: Die Tonkunst 15 (2): 168–181.

Padoan, Enrico. 2020. Anti-Neoliberal Populisms in Comparative Perspective. A LatinAmericanization of Southern Europe? 1st ed. Routledge Studies in Latin American Politics. Abingdon: Routledge. https://www.routledge.com/Anti-Neoliberal-Populisms-in-Comparative-Perspective-A-Latinamericanisation/Padoan/p/book/9780367322151.

Padoan, Enrico. Forthcoming (2022). Populismo vs Sinistra. Il Movimento 5 Stelle in prospettiva comparata. Mutamenti. Società e culture in transizione. Sesto San Giovanni: Mimesis.

Padoan, Enrico. Forthcoming (2022). ‘Electoral Realignments within the Left in the Aftermath of Neoliberal Crises. A Critical Juncture Framework for Latin America and Southern Europe.’ In: Partecipazione e Conflitto.

Patakfalvi-Czirják, Ágnes. 2021. Székely zászló a politikától a hétköznapokig. Tárgy, identitás, régió [The Szekler flag from politics to the everyday. Object, identity, region]. Budapest: Napvilág Kiadó. https://napvilagkiado.eu/termek/a-szekely-zaszlo/.

Schiller, Melanie. 2020a. ‘Heino, Rammstein and the Double-Ironic Melancholia of Germanness’. In: European Journal for Cultural Studies 23 (2): 261–80. https://doi.org/10.1177/1367549418810100.

Schiller, Melanie. 2020b. ‘Schlager’. In Music Around the World: A Global Encyclopedia, edited by Matthew Mihalka and Martin, 781–82. Santa Barbara, CA: ABC-CLIO.

Schiller, Melanie. 2020c. ‘Soundtracking Germany: Don’t Mention the War!’, 3 April 2020. https://www.iaspmbenelux.org/current-research-blog/soundtracking-germany-popular-music-and-national-identity.

Schiller, Melanie. 2021. ‘The Impossibility of “German” Music’. Norient.Com. https://norient.com/melanie-schiller/impossibility-german-music?user=11144.

Schiller, Melanie. Forthcoming (2021). ‘Pop, Politik und Populismus als Massenkultur’. In: Druckwellen: Denken und Fühlen, edited by Christoph Jacke and Beate Flath. Bielefeld: Transcript.

Schiller, Melanie. Forthcoming (2022). ‘Music and the Nation’. In Bloomsbury Handbook on Music and Place, edited by Geoff Stahl and Mark Percival. London: Bloomsbury.

Schiller, Melanie. Forthcoming (2022). ‘Populism, subcultural style and authenticity: Popular music, rock rebellion and the radical right in Sweden’. In: The People vs. The Power Bloc’ (?) – Interdisziplinäre Perspektiven auf Pop und Populismen, edited by Charis Goer and Mario Anastasiadis. Bielefeld: Transcript.

Schiller, Melanie, and Christoph Jacke. Forthcoming (2022). ‘German Popular Music and Its Discontents’. In: The Oxford Handbook of Global Popular Music, edited by Simone Krüger Bridge. Oxford: Oxford University Press.

Schiller, Melanie, and Jeroen de Kloet. 2021. ‘German Longings: A Dialogue on the Promises and Dangers of National Stereotypes’. In Made in Germany, edited by Oliver Seibt, Martin Ringsmut, and David-Emil Wickström, 90–98. Studies in Popular Music. London: Routledge.

Schwenck, Anna. Forthcoming (2021). ‘Russia’s Good YouTubers? Digital Entrepreneurship and Heroic Masculinity in the Service of Flexible Authoritarianism’. In: Europe-Asia Studies n/a (n/a): n/a.

Schwenck, Anna, and Mario Dunkel. Forthcoming (2022). ‘Populism and Art’. In: Research Handbook on Populism, edited by Yannis Stavrakakis and Giorgos Katsambekis. Cheltenham: Edward Elgar Publishing.

Wilhelms, Kerstin, Immanuel Nover, Eva Stubenrauch, Anna Seidel, Melanie Schiller, Matthias Schaffrick, Christoph Matthias, Jan Herbst, Thomas Ernst, and Moritz Baßler. Forthcoming (2022). Rammsteins Deutschland: Pop – Politik – Provokation. Stuttgart: J.B. Metzler.